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This is a comprehensive history of English literature written in Britain between the Reformation and the Restoration. While it focuses on England, literary effort in Scotland and Ireland is also covered, with occasional references to Wales and Ireland. This literary history by an international team of scholars is essential reading for students and scholars of sixteenth- and seventeenth-century English literature, culture, and history.
- Sales Rank: #1642228 in Books
- Brand: Brand: Cambridge University Press
- Published on: 2006-06-12
- Original language: English
- Number of items: 1
- Dimensions: 8.98" h x 2.05" w x 5.98" l, 3.15 pounds
- Binding: Paperback
- 1052 pages
- Used Book in Good Condition
Review
"For advanced researchers in the field...this book certainly provides an overview of the current state of literary scholarship in early modern English literature."
-Seiwoong Oh, Rider University, Sixteenth Century Journal
"This book is a major accomplishment, and will alter the very landscape for which it provides such an effective map."
-Studies in English Literature
"Astonishingly comprehensive and coherently unified [...]This extraordinarily useful reference work [is] at once authoritative, pioneering and inclusive..."
-Renaissance Quarterly
"The Cambridge History of Early Modern English Literature offers riches beyond the wildest dreams of avarice, too many to be counted or told here. Others will find different glimmers of gold."
-Seventeenth Century News
"The book provides a valuable synopsis of recent scholarship by a selection of leading scholars. Students will find short, readable, reliable accounts in this landmark volume. The whole set will be necessary for all academic and large public libraries. Essential."
-Choice
"Addresses religious, political, and ethnic discourses and their relation to elite, confessional, and national identities in fairly straightforward terms. Ultimately, one garners a good sense of the state of play on these issues and many of the relevant principal texts from the chosen period."
-H-ALBION
"[T]his is a book that all serious libraries will want and need to own; it is a book of which its editors, contributors and publisher can all be proud."
-Editor's Choices
"Cambridge History of Early Modern English Literature will likely exert substantial influence on the study of the period."
-MLA: Literary Research Guide
About the Author
David Loewenstein is Marjorie and Lorin Tiefenthaler Professor of English at the University of Wisconsin-Madison.
Janel Mueller is William Rainey Harper Distinguished Service Professor Emerita at the University of Chicago.
Most helpful customer reviews
9 of 9 people found the following review helpful.
The Cambridge History of Early Modern English Literature
By Damian Kelleher
The aim of the Cambridge University Press to provide a coherent scholarly work on the early modern English period from manuscript to Milton that is both accessible to the interested public and appropriate for the research student and academic is a lofty one, and fortunately it is a goal they generally succeed in achieving. The scope of the work is vast, from the expected examination of the literary impact of such giants as Milton, Pepys, Shakespeare, Sidney and Donne, to the more specific and thematic discussion on literature and the church, the court, the household, the sense of national identity, and London's influence on authors and the book selling business. The Cambridge History of Early Modern English Literature is readable to a layman without having sacrificed any of the scruples a rigorous scholarly approach might command.
The Introduction to the book is well worth the read, with the editors stating their goals and intentions for the work; among these is a refusal to 'treat writers simply in terms of political or religious thought.' Instead, the editors have chosen a more inclusive approach, whereby the milieu of a writer is examined with as much - more, in a lot of cases - intensity as the writer themselves. A great deal of effort is spent in providing an adequate historical, religious, political, sexual, private and public history of the times in which writers large and small found themselves. One of the great bulwarks of any literary history, the chapter devoted to a single author, is not present within this volume. The editors state that this was a conscious choice as it expands upon and helps to develop their theme of literature as an outgrowth of the times, yes, but also a product, an examination, a complimentary action, a protest, a celebration. They write, 'Our aim here is to achieve freshness by allowing individual authors to be evaluated from multiple perspectives and located in relation to a range of institutional sites.' For the most part the history succeeds in these endeavours, though too little time is given to developing an overall historic sense of time and place, at the expense of devoting a great deal of time to what may seem too esoteric for anyone not a specialist in the field. It is very much the case that the work relies on the reader having a solid grounding in English history from 1528 - 1674, including but certainly not limited to a detailed understanding of the political situation during the one hundred and forty-six years covered, an appreciation of the stance of government, monarch, church and the nobility, and an awareness of the general political situation of Europe during this time. This level of knowledge is perhaps to be expected from an academic, but a casual reader may find themselves somewhat swamped with names, dates, places and battles that are not give an explicit significance or description.
The first part of the history, titled 'Modes and Means of Literary Production, Circulation and Reception' is not specifically tied to a certain decade or monarch's rule like the rest of the parts, rather it serves as an overview and introduction to the major themes present throughout the remainder of the book. The work opens by examining the vast legal and creative upheavals that came about as manuscripts and monastic copying were replaced by the Gutenberg printing press and the astonishing realisation that anyone, anywhere could print anything they liked and distribute it throughout the nation. In a situation that will seem familiar to anyone who is knowledgeable in the current copyright woes of the RIAA and MPAA, authors who wished to publish their writing in the late 16th century were dismayed to learn that the Crown had acted to stamp down on 'unauthorised printing', going so far as to require that every single piece of printed material be approved by the Stationer's Guild, with the penalty of imprisonment and hefty fines being doled out to those who had the audacity to print their own poems, essays and other works on a printing press. The 'author' as we know them today did not exist, with the vast majority of literary aspirants signing away any right to money or recognition to the printing company who agreed - and was usually paid by the author to do so - to print their work. Popular works of literature were known by the company who printed them rather than the author themselves, a situation which inevitably caused a massive rebellion by the creators of the works. These printing companies - from the Stationer's Guild who oversaw the entirety of printing in England, to the large and small companies who printed the works - often owned ridiculously large and expansive swaths of the literary landscape. As an example, a single company in the early 17th century owned the right to solely publish legal texts throughout England for seven years, and was able to punish anyone who attempted to provide their own legal texts.
Following this first overview part are four further parts which break into broad monarchic time lines. These parts are further broken into such chapters as 'Literature and London', 'Literature and the Household', 'Literature and the Church', etc. These chapter headings are used in each of the four parts, which helps to provide an ongoing sense of literary growth throughout England. In 1528 it was unlikely that there was more than a handful of people in a single town who could read and write, by 1674, the vast majority of people, from the rudest peasant to the King or Queen, could read and write with ease, and all had reasonable access to printed works.
The Chapters concerning Literature and the Church were, to my reading, the most impenetrable. Whereas I am familiar with English history and English literature in a general sense, the 'Church' chapters are very focused indeed, examining specific treatises and pamphlets written by (to me) obscure clergymen. A lot of the names and events were completely unfamiliar and little attempt was made by the authors to provide an adequate background. These chapters often left me with an overwhelming sense of words having rushed me by.
The other chapters, however, were certainly easier to digest. Perhaps because most everyone is familiar with Shakespeare, Queen Elizabeth I and Milton, these chapters were able to ground themselves in the familiar while exploring in great detail the smaller names and events of the time. Because the editors chose to eschew a history that focusses primarily on the 'great names' of literature, authors such as Shakespeare and Milton are seen not as blinding flashes of genius in an otherwise dark void but men writing within a teeming chaos of authors no less active, popular or touched by genius. While the supremacy of these authors are duly noted, the decision on the part of the editors to provide a panoramic view of the literary environment proved immensely helpful to a proper understanding of early modern English literature.
The last eighty pages or so of the work are devoted to a series of chronologies outlining the major political and literary events of the one hundred and forty-six years covered. These chronologies were very helpful in further placing an author within their milieu, and helped to reinforce the concept of an inclusive history rather than a 'great names' history.
The Cambridge History of Early Modern English Literature is dense, and can be difficult at times. A recommended way of reading the text would be to focus on areas that seem interesting, rather than to slog it out through a mass of words on a topic uncared for. The history is a great treasure of information, and has an excellent bibliography at the end for further reading. While it is difficult, and relates to a quite specific time and place in world history, the work is highly rewarding and always, surprisingly, entertaining to read. Recommended for literary explorers.
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