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Medieval French literature encompasses 450 years of literary output in Old and Middle French, mostly produced in Northern France and England. These texts, including courtly lyrics, prose and verse romances, dits amoureux and plays, proved hugely influential for other European literary traditions in the medieval period and beyond. This Companion offers a wide-ranging and stimulating guide to literature composed in medieval French from its beginnings in the ninth century until the Renaissance. The essays are grounded in detailed analysis of canonical texts and authors such as the Chanson de Roland, the Roman de la Rose, Villon's Testament, Chrétien de Troyes, Machaut, Christine de Pisan and the Tristan romances. Featuring a chronology and suggestions for further reading, this is the ideal companion for students and scholars in other fields wishing to discover the riches of the French medieval tradition.
- Sales Rank: #2324798 in Books
- Published on: 2008-04-21
- Released on: 2008-04-10
- Original language: English
- Number of items: 1
- Dimensions: 8.98" h x .63" w x 5.98" l, 1.09 pounds
- Binding: Paperback
- 302 pages
Review
"This volume is an excellent reference, a helpful tool for students preparing exams and anyone embarking on research. The concise guide to reference works is a particularly useful feature of the appendices. One of the innovative features of the collection is the analysis of manuscripts and their illuminations which many of the authors include, offering a more holistic approach to the texts in terms of their presentation, reception, and consumption by contemporaries and late readers in the larger context of medieval society."
Arthuriana, Sarah-Grace Heller, The Ohio State University
About the Author
Simon Gaunt is Professor of French at King's College London.
Sarah Kay is Professor of French at Princeton University.
Most helpful customer reviews
8 of 13 people found the following review helpful.
Heavy on the theory, light on the lit
By Rudolf Schmidt
In the Introduction the editors write "We have also taken a conscious decision not to make extensive use of 'theory' in this volume..." (16). Nevertheless, it is saturated in theory, so much so that it must be useless for anything but university-level courses. I suspect these editors are no more capable of writing a book without theory than a priest of writing a book without theology. If you want to learn about medieval French literature--to read an overview of the chanson de geste cycles, for example--this book is not for you. If you don't know what is meant by "theory", this book is not for you.
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