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In the first book of odes, Horace presents himself to his Roman readers in a novel guise, as the appropriator of the Greek lyric tradition. He aspired to add a new province to the empire of the national literature. The first book is designed both to establish Horace's engagement with his Greek predecessors and to create a role for lyric poetry in contemporary Rome. The collection of thirty-eight poems is therefore a dazzling feat of poetic appropriation and innovation, a blend of the public and the private voice of the poet. Classic Greek songs are evoked so as to provide a springboard for reflections on moral and political issues, for the praises of gods and men, friends and public figures, for celebration of love and drinking. This edition will enable students and their instructors to enter and enjoy Horace's lyric world.
- Sales Rank: #1223642 in Books
- Brand: Brand: Cambridge University Press
- Published on: 2012-05-21
- Released on: 2012-04-26
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .55" w x 5.43" l, .75 pounds
- Binding: Paperback
- 258 pages
- Used Book in Good Condition
About the Author
Roland Mayer is Professor of Classics at King's College London.
Most helpful customer reviews
4 of 4 people found the following review helpful.
Outstanding Contribution to the Series
By Robert Bostock
What we have here, on a scale appropriate to the series, is a commentary characterized by the clarity, learning and modesty to be found in Barrett's 'Hippolytus'. Experienced readers will appreciate how lightly Meyer deploys his wide-ranging and independent scholarship. The result is a commentary on each ode that can be read through quickly and with pleasure. The economy of the commentary is due to a very focused (but by no means exclusive) concentration on the language, which is what the student both wants and needs. The comments are not elementary, but never pedantic or abstruse, and always helpful. The tone is lively and crisp - sometimes perhaps too colloquial - but a refreshing change from the moribund prose into which a less experienced, less self-confident commentator often stumbles.
A general sketch of the contents will indicate how student-friendly this book is: a readable (20 pages) but very well written introduction is followed by the text. There is no apparatus criticus to distract and confuse the intermediate student. The commentary is at the back, and begins with individual notes before finishing with a general discussion of the ode. This arrangement is particularly felicitous, since the reader isn't cluttered with interpretative ideas before starting on the notes, the backbone of any commentary and the reason the student is reading it in the first place.
Meyer has done justice both to Horace and to students of his poetry. Buy a copy of this book before CUP reissue a ghastly print-on-demand counterfeit in its place.
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