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A delightful way to learn more about the history of opera. Perfect for the opera-goer who has everything!
- Sales Rank: #1854885 in Books
- Brand: Brand: Cambridge University Press
- Published on: 2012-11-30
- Released on: 2012-10-18
- Original language: English
- Number of items: 1
- Dimensions: 9.72" h x .75" w x 6.85" l, 1.60 pounds
- Binding: Paperback
- 364 pages
- Used Book in Good Condition
Review
"In both the clarity of its organization and the uniformly high standard of the individual essays, this is an outstanding collection."
The Times Literary Supplement
"[Opera studies] is inherently interdisciplinary, which necessitates a wide range of critical approaches ... The essays deal with such varied topics as politics, the state, and society; gender, nationalism, and exoticism; and technologies of theatrical productions, including the movie and live streaming on the internet ... Recommended."
Choice
"This is another useful addition to the Cambridge Companions to Music series, this time covering an area of music which has received less scholarly attention than others until the second half of the twentieth century ... This is a scholarly book for the undergraduate or postgraduate student ... although some opera fans of a more academic bent might find it of interest."
Stella Thebridge, Reference Reviews
About the Author
Nicholas Till is Professor of Opera and Music Theatre and Leverhulme Research Fellow at the University of Sussex. He has previously worked as a director for opera companies in the UK and Europe and as a librettist and director for new works performed by Royal Opera Garden Venture, English National Opera Studio and Stuttgart Opera, among others. He is the author of Mozart and the Enlightenment (1992), has written extensively on contemporary opera and music theatre and has taught in many fields, including visual arts, theatre and film. As Director of the Centre for Research in Opera and Music Theatre at the University of Sussex, he regularly contributes talks and programme articles to opera companies in the UK, Europe and the USA and is a frequent contributor to radio and television programmes. He is currently working on a book about the origins of opera in the seventeenth century.
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